Koyasan Daimon Gate

As I wrote in the previous two posts, hubby and I visited Koyasan or Mount Koya on 17th June. Koyasan is a large temple settlement and a sacred place for Japanese Shingon Buddhism. In the last post I wrote about our visit to Danjo Garan Complex. Today I will write about Daimon Gate on Mount Koya.

From Danjo Garan Complex on Mount Koya, we walked for about 700 meters towards the west and reached Daimon Gate. It is a huge vermilion colored central main gate which is actually the entrance to Mount Koya. At the time of the founding of Koyasan Temple settlement, a Torii gate was built at Tsuzuraori Valley further down about 500 meters from the present site. Daimon Gate was constructed in 1140 at the present site but it burned down from forest fires and lightening. It was rebuilt in 1705. It is a two storied gate with five bays (sections) and three entrances. The gate is 25.1 meters tall, 21 meters wide and 8 meters deep, and has a gabled hipped Irimoya Zukuri architectural style copper-tiled roof. The gate is designated as an important cultural property of Japan. We clicked several photos of the gate from various positions and angles.

Daimon Gate

‘Koyasan’ written on the gate

Beautiful vermilion colored gate

Backside of the gate

It was interesting to note that Daimon Gate was flanked by two fierce looking guardian deities named Kongo Rikishi (also called Nio). These wooden statues are considered to be the second largest such figures in Japan, only after Todaiji Temple. The statue of open-mouthed Agyo Nio was carved by Koi and close-mouthed Ungyo Nio was carved by Uncho. Uncho and Koi were famous sculptors of Buddhist statues during mid-Edo period.

Ungyo Nio

Agyo Nio

Hubby standing next to Agyo Nio

We loved seeing the towering vermilion Daimon Gate. It is located at such a peaceful and mystical place. There were many more temples and structures to see in Koyasan but we decided to visit them some other time. We really enjoyed our visit to Mount Koya.

We saw a cute stone statue of a monk while walking back to the car parking area.

Koyasan Danjo Garan Complex

As I wrote in the previous post, hubby and I visited Koyasan or Mount koya on 17th June. Koyasan is a large temple settlement and a sacred place for Japanese Buddhism. First settled in 816 by Monk Kukai (Kobo Daishi), Koyasan is the headquarters of the Koyasan sect of Shingon Buddhism. Currently there are 117 temples on Mount Koya. In the last post I wrote about our visit to Kongobuji Temple. Today I will write about our visit to Danjo Garan Complex on Mount Koya.

When Kobo Daishi started the monastery on Mount Koya, Danjo Garan was the first site built. He leveled the soil himself and made many buildings and towers at the site that formed the basis of esoteric Koyasan sect Shingon Buddhist studies. Danjo Garan is at the heart of Mount Koya settlement. In fact the word Danjo means an elevated space or a podium and Garan means an area that has the main sacred buildings, halls, pagodas, and monastery to practice Buddhism. Danjo Garan is said to depict the spiritual world in the Womb Realm Mandala. According to the ancient scriptures, there is a correct order in which to visit the buildings and places inside Danjo Garan Complex and we visited them in that order. We followed the recommended route but there are so many buildings inside the complex that we missed seeing a few of them.

We entered Danjo Garan Complex through its main gate named Chumon. It is a vermilion colored wooden two-storied five-sectioned gate located at the lowest point of the complex. Danjo Garan Complex burned down in a large fire in 1843 and the original gate was lost at that time. It was rebuilt in 2015 for celebrating the 1200th anniversary of the founding of Koyasan. The gate is 16 meters high and 25 meters wide (east-west). The gate has statues of four heavenly kings Shintenno guarding the four compass directions. Jigokuten and Tamonten are the statues from the original Chumon Gate and have been restored. Komokuten and Zochoten are new statues carved by Master Buddhist sculptor Myokei Matsumoto.

Chumon Gate

Statue of Zochoten guarding the south

Statue of Komokuten guarding the west

After entering Chumon Gate, we saw Kondo building right in front of us. When Kobo Daishi started the monastery on Mount Koya, this was the first building he constructed following the main temple. It was called Kodo at that time and it has served as the central hall on Mount Koya since mid Heian period (10th century). The present Kondo building is the seventh reconstruction and was completed in 1932. It was designed and constructed by Goichi Takeda who is considered to be the father of modern architecture in western Japan. The transverse beams of the building are 23.8 meters long and the perpendicular beams are 30 meters long. The building is 23.73 meters tall and has a gabled hipped Irimoya Zukuri architectural style roof. Furthermore, the building has a ferroconcrete core to withstand earthquakes and fires. The principal statue of worship is a wooden carved image of Ashuku Nyorai (or Yakushi Nyorai; it is a secret till date) created by a sculptor named Koun Takamura. We clicked photos of Kondo building from different positions and angles.

Kondo building as viewed from the south

Kondo as viewed from the east

Next we saw a hexagonal building named Rokkaku Kyozo. Bifukumon-in, empress consort of Emperor Toba built the structure to pray for her husband’s happiness in the world beyond. There used to be a complete copy of the scriptures housed inside. The building was rebuilt in 1934 and it has handles located near its base. The handles can be rotated which is done to denote that a person has completed reading the scriptures once. I tried to rotate the handle which was quite easy initially but it became increasingly difficult to push towards the end of one round. Hubby focused so much on clicking my photos that he completely forgot to take a photo of the hexagonal building itself.

I am rotating the handle located near the base of Rokkaku Kyozo

It became increasingly difficult to rotate the handle towards the end of one round

On the walking route of the Garan Complex, we saw a Shinto shrine named Miyashiro. Mount Koya was originally a place where Niu Shinto shrine existed. In 819, Kobo Daishi transferred a Buddhist titular deity from Tenno-sha to Mount Koya. His ideas of Buddhism gained popularity which led to syncretism of Shinto and Buddhist traditions. Presently there are three main shrines named Niu Myojin for Goddess Niu, Koya Myojin for God Koya, and a third dedicated to minor divinities. The current shrine complex is a reconstruction of the original built in 1594.

Hubby posing in front of a Torii gate of Miyashiro Shrine

We saw a wooden building named Sanno-in located in front of Miyashiro Shrine. It was built as a worship hall on Mount Koya. It has gabled hipped Irimoya Zukuri architectural style roof. ‘Sanno-in’ refers to a local Shinto deity being revered as a ‘god of the mountain’. The current building was reconstructed in 1594. It was an interesting building to look at.

A Torii gate and Sanno-in building beyond the gate

Next, we saw a Shoro belfry tower. I could not find any information about it in the pamphlet of Danjo Garan Complex. But it is a beautiful wooden tower, so thought of sharing the photo.

Shoro belfry

Near Shoro belfry, we saw a wooden pagoda tower named Saito. It means West Tower and was built by Shinzen Daitoku, the successor to Kobo Daishi. Kobo Daishi’s plan was to use Daito (described later) and Saito pagodas as the representations of the esoteric world of Dainichi Nyorai. Saito was constructed in 886 and enshrines images of Dainichi Nyorai in the Womb as well as the Diamond Realms. The current reconstructed pagoda was built in 1834. It is 27.27 meters tall and has an ornamental knob at the top. I found Saito Pagoda to be one of the most elegant buildings in Danjo Garan Complex. It was magnificently stunning.

I am standing in front of Saito Pagoda

Next, we saw a wooden building named Kujaku-do. In 1199, Engo, the head priest of Toji Temple performed a prayer for rain at Shinsen-en Temple at the request of Emperor Go-Toba. The prayer was answered and the following year the miracle god Kujako Myoo was enshrined at the present site of Kujaku-do. The building burned down in 1926 but was rebuilt in 1983 as part of the commemoration of 1150th death anniversary of Kobo Daishi. The principal image of Kujako Myoo is currently stored at Reihokan Museum on Mount Koya.

Kujaku-do building

Adjacent to Kujaku-do, we saw another wooden building named Junteido. The principal image of Juntei Kannon enshrined inside is said to have been created by Kobo Daishi himself upon his entering the priesthood. The image was initially installed in the eating quarters when Garan Complex was built. With the construction of Junteido building in 973, the image was moved. The building burned down several times and the present reconstructed building is from 1883. Recently I came to know that the Hindu Goddess Durga is Juntei Kannon in Japanese Buddhism.

Junteido building

Next we saw Sanko no Matsu tree (trident pine) surrounded by a fence. Legend has it that when Kobo Daishi was preparing to return from China to Japan, he threw a trident (Vajra or Sanko) from China towards Japan to find an ideal site to promote Shingon Buddhism in Japan. Later when Kobo Daishi visited Koya area, he heard from local hunters that there was a pine tree that glowed every night. He visited the tree and was amazed to find the trident stuck to the tree. So he decided to start Shingon Buddhism near that spot on Mount Koya. The pine tree had three-pronged leaves just like the trident, so it was named Sanko no Matsu. Nowadays visitors consider the fallen leaves from the tree as lucky charms.

Sanko no Matsu

Near the trident pine tree, we saw a huge bright vermilion colored pagoda tower named Konpon Daito. Kobo Daishi and his successor Shinzen Daitoku devoted themselves to the construction of Daito Pagoda, which took from 816 through 887. Kobo Daishi referred to this pagoda as a representation of the universe. It was the central training dojo for the Shingon sect, and therefore was called Konpon (principal) Daito. It is believed to be Japan’s first square two-storied pagoda. The present building is a reconstruction from 1937. It is a Tahoto style pagoda that is 45 meters tall, 24 meters wide and 24 meters deep. A principal image of Taizo Dainichi Nyorai in the Womb Realm is enshrined inside, and is surrounded by four Buddhist figures from the Diamond Realm. The sixteen pillars that support the building are inscribed with images of sixteen Juroku Bosatsu drawn by Insho Domoto. In fact, pagoda's interior is surrounded by statues and paintings, which together make a rare three dimensional Mandala. We were mesmerized seeing the magnificent colossal pagoda with a tall spire.

Konpon Daito Pagoda

Pagoda as viewed from another angle

Garan Complex premises as viewed from the entrance of Konpon Daito Pagoda. On the right side is Kondo building.

Right in front of Konpon Daito Pagoda, we saw Daito bell and belfry. The casting of the original bell was initiated by Kobo Daishi and was completed by his successor Shinzen Daitoku. The bell tower burned down several times due to fire. The bell was also recast three times. The current copper bell is from 1547. It is 2.12 meters in diameter and 2.5 meters tall. It was the fourth largest bell in Japan, and therefore is also named ‘Koyashiro’ which is a play on the name of the mountain and the name given to one’s fourth son. The belfry looked rather new and has Irimoya Zukuri architectural style roof.

Daito bell and belfry

Next we saw a wooden building named Aizendo. In 1334, Emperor Go-Daigo ordered it to be built as a prayer for world peace and the health and longevity of the emperor. A principal image of Aizen Myoo is enshrined inside and its proportions are said to be based off Emperor Go-Daigo himself. The building was originally called Shingakudo and was a site of prayer rituals. It was destroyed several times over the years and the current building is a reconstruction from 1848. It is an elegant looking wooden building.

Aizendo building

Adjacent to Aizendo, we saw another wooden building named Fudodo. In 1197, daughter of Emperor Go-Toba, Princess Hachijo Nyoin, had this building built by Gyosho. It was originally located in Isshin-in-dani (current site of Kinrinto on Mount Koya) but was later moved to the Garan Complex. The current building was rebuilt in the early 14th century. Each of the four corners of the building is different because the four craftsmen who engaged in the construction each took their own approach. It is presumed that the hall originally enshrined an image of Amida Nyorai but it now enshrines a principal image of Fudo Myoo and his eight attendants. The eight attendants were sculpted by the famous sculptor Unkei and are now stored at Reihokan Museum on Mount Koya. We loved looking at the graceful wooden building.

Fudodo building

Adjacent to Fudodo, we saw yet another wooden building named Daiedo. Gotsuji Saiin, imperial princess under Emperor Toba, had this hall built in honor of her father in 1175. It was originally located at a different place but was moved to the Garan Complex as a site for certain rituals and was called Rengejoin. Currently it is used as a gathering hall when services are held. The current building was reconstructed in 1848. A principal image of Amida Nyorai is enshrined inside. In fact, it is an Amida triad and Amida Nyorai is flanked by images of Kannon Bosatsu and Seishi Bosatsu. Such wooden buildings are a feast to the eyes. It was so relaxing to see such a beautiful building.

Daiedo building

Daiedo as viewed from a slightly different angle

Next to Daiedo, we saw another wooden building named Sanmaido. Head priest Saiko built this hall building in 929. It was originally located in Soji-in precincts on Mount Koya. Saiko carried out a ritual called rishu-zanmai in the hall building, so it came to be called as Sanmaido. The hall was later moved to the Garan Complex. The current building was reconstructed in 1816. We loved seeing Sanmaido building. Daiedo and Sanmaido looked so elegant in their quiet surroundings.

Sanmaido building

Daiedo (left) and Sanmaido (right) in their elegant surroundings

The last building we saw on our walking route was Toto Pagoda. In 1127 Emperor Shirakawa had this pagoda built by Daigo Sanboin Shokaku Gon no Sojo. At that time, a statue of Sonshobutchoson rendered in the image of the emperor was enshrined inside along with images of Fudo Myoo and Gozanze Myoo flanking it as side attendants. The pagoda burned down in 1843 and was constructed anew in 1984. It is a two storied Tahoto style pagoda. It is 18 meters tall and the four sides are 6.5 meters each. The vermilion colored pagoda looked so grand.

Toto Pagoda

The pagoda as viewed from another angle

I am standing in front of Toto Pagoda with Daito Pagoda seen in the far background.

At this point, we completed seeing various structures and buildings along the walking route in the Garan Complex. We left the complex by walking past a path named Jabara Michi. It is a small path that winds its way from the entrance to the Garan Complex towards the east side of the Toto Pagoda. Kobo Daishi correlated Mount Koya’s layout to a reclining dragon and Jabara Michi is where the dragon’s stomach would be, which is what the name of the path means. It was interesting to walk along the path.

Jabara Michi

I am posing along the small path

We loved visiting and knowing the history of various structures and buildings in Danjo Garan Complex on Mount Koya. We missed seeing a few buildings but I felt so happy to visit the spiritual base of Koyasan Shingon Buddhism. Next we visited the site of the main gate named Daimon Gate of Koyasan about which I will write in the next post.

Koyasan Kongobuji Temple

On 17th June, hubby and I visited Koyasan Kongobuji Temple in Wakayama prefecture. Koyasan or Mount Koya is a large temple settlement and is a sacred place for Japanese Buddhism. First settled in 816 by monk Kukai (Kobo Daishi), Koyasan is the headquarters of the Koyasan sect of Shingon Buddhism. The town of Koya is located on an 800 meter high plain amid eight peaks of the mountain, and Kukai selected the location for temple monastery because the mountain terrain is supposed to resemble a lotus with eight petals corresponding to the Noble Eightfold Path of the Good Law of Buddhist practices. Kongobuji was originally intended to refer to the entirety of Mount Koya and its many sub-temples. Now Koyasan is known as ‘Issan Temple Grounds’, and currently there are 117 temples on Mount Koya. We visited three sites at Koyasan temple grounds, namely Kongobuji Temple, Danjo Garan Complex, and Daimon. In this post I will write about Kongobuji Temple.

Kongobuji is the head temple of Koyasan Shingon Buddhism on Mount Koya. It is part of the ‘Sacred Sites and Pilgrimage Routes in the Kii Mountain Range’ UNESCO World Heritage Site. The temple is located roughly in the middle of the mountain top. The temple was first constructed as Seiganji Temple in 1593 by Toyotomi Hideyoshi to memorialize his mother. It was rebuilt in 1863. Two temples Kozanji and Seiganji were combined in the Meiji period in 1869 and renamed as Kongobuji Temple. There are important buildings such as the main worship hall and one of nation’s largest rock garden within the vast grounds of the temple extending over 165000 square meters.

On reaching the car parking area of Koyasan Kongobuji Temple, we saw a mascot character of the place named Koya-kun. Hubby clicked a picture of me with the character.

I am standing next to the mascot character Koya-kun

It took us about two minutes to walk up to Kongobuji Temple from the car parking area. We saw a wooden main gate named Seimon to enter the temple premises. The gate is said to have been rebuilt in 1862. But there is also a possibility that it is the Jomon Gate of Seiganji Temple, the predecessor of Kongobuji Temple, and was constructed in 1680. In the past, only the emperor, members of the imperial family, and high-level Koyasan officials could enter and exit using this gate. We noted that to the right of this gate, there is a small entrance door that is exclusively used by ordinary monks. Nowadays common people can enter the temple premises from any of these two gates.

Approach to Kongobuji Temple

I am standing on the pathway leading to the temple gate

Main Gate Seimon

The gate as viewed from inside the temple premises. The smaller white colored building is the entrance gate used by ordinary monks.

Next we saw Shoro Bell Tower to our right after passing through the main gate. It is thought to be the bell tower of Seiganji Temple and is believed to have been rebuilt in 1864 along with several other temple buildings that were destroyed by a fire in 1860. It is constructed in Hakamagoshitsuki Irimoyazukuri architectural style and is designated as a cultural property of Wakayama prefecture. We loved viewing the details of the wooden bell tower.

Shoro Bell Tower

Right in front of the bell tower, we saw a majestic wooden building named Daishuden. It is the main worship hall of the temple. The current building was built in 1863 and retains the style of its original construction. It is 54 meters east-west (width) and 63 meters north-south (depth). We noted that there are two entrances to the building. The enclosed entrance is called Daigenkan and only the emperor, the imperial family, and Koyasan high-level officials were allowed to enter the main hall though this entrance. While enjoying the architecture of the building, we saw another entrance called Shogenkan which is said to have been exclusively used by lower level Koyasan officials. We clicked several photos of the main hall from various positions and angles.

Daishuden Main Hall as viewed from the west

The main hall as viewed from the east

Hubby is posing along with the main hall

A part of the main hall

I am standing in front of Daigenkan entrance

Shogenkan entrance is indicated by the red arrow

Inside Daishuden Main Hall, we visited many rooms. Ohiroma Room had wonderful paintings of pine trees and cranes adorning Fusuma gilded sliding doors which are said to have been painted by Kano Hogen Motonobu, a painter in the early Edo period. We also visited Yanaginoma Willow Room. The sliding doors of this room were decorated with paintings of willow trees in four seasons by Yamamoto Tansai. Yanaginoma is the place where Toyotomi Hidetsugu, the nephew of Toyotomi Hideyoshi, was banished and committed suicide. We saw another room named Betsuden, the sliding doors of which were painted by Moriya Tadashi, showing scenes of flowers and birds in the four seasons. We immensely enjoyed seeing the paintings on the sliding doors of various rooms in the main hall. Photography is not allowed inside the building, so unfortunately I do not have any photos of the wonderful paintings of the sliding doors.

While walking in the backside corridor of Daishuden Main Hall, we saw a beautiful rock garden named Banryutei Rock Garden located behind the building. It was built in 1984 and is the largest rock garden in Japan with an area of 2340 square meters. The large granite stones in the garden were brought from Shikoku, the birth place of Kobo Daishi, and the white sand is from Kyoto. The rocks and 140 granite stones are arranged in a way that suggests a pair of male and female of dragons emerging from a sea of clouds to protect the temple. We enjoyed viewing the wonderful rock garden for a long time.

Banryutei Rock Garden

A different place of the rock garden

After enjoying seeing various rooms inside Daishuden Main Hall and the rock garden, we left the temple premises. Next we visited Danjo Garan Complex in Koyasan temple grounds about which I will write in the next post.